Three original diagrams proposing scope of care as a third axis for models of creative practice, extending Walter Gropius's Bauhaus curriculum wheel (1922), which organised making by material, and Neri Oxman's Krebs Cycle of Creativity (2016), which reorganised it by substrate. Scope of care runs outward in four bands — ego-centred, human-centred, life-centred, symbiotic — and is drawn both as concentric rings, holding the whole field at once, and as a spiral, describing a movement through it. Between the first two bands sits the psychedelic threshold: the ego boundary, where insight opens inward and awe opens outward. The transition from ego-centred to life-centred practice follows the same widening the psychedelic literature describes as ego dissolution and increased felt connectedness. The correspondence is offered as structural, not causal.